Today I have a guest post from Nelle Davy, author of Legacy of Eden.

Using personal stories in writing: do or don’t?

 Of course it is a do. One of my favourite books is Oranges are Not the Only Fruit by Jeanette Winterson which is a reworking of her own childhood within a fictional format as opposed to an outright memoir. What matters is that you are true to the kind of story you wish to tell, regardless of what is the inspiration. I would also say that no writer works in a vacuum as if their books are ‘ex nihilo.’ Whether you mean to or not, you write the kind of story you are either interested in, or have been through in some way. It is all inspired by your personal past and you rework it, sometimes even try to ignore it, but then press it down and reshape it so that it can become unrecognizable from truth but it still has seeds in it. There are some stories I love to read but would never be able to write because I would never be inspired to write them because they come from a different sort of experience to the one I have had. But novels should be about trying to tell some kind of truth – either the one you wish was real or the one that is.  And sometimes I think the novels that have impressed me the most and the ones that have really stayed with me as visceral works of honest art are the one that you discover had some grounding in the author’s past. You do look at them in a new light and they seem so much more informed. But this novel is not based on my own personal story in any other way than it is about the interrogation and destruction of the family unit.

Thank you Nelle!

About Legacy of Eden (Goodreads)

“To understand what it meant to be a Hathaway, you’d first have to see Aurelia.”

For generations, Aurelia was the crowning glory of more than three thousand acres of Iowa farmland and golden cornfields. The estate was a monument to matriarch Lavinia Hathaway’s dream to elevate the family name – no matter what relative or stranger she had to destroy in the process. It was a desperation that wrought the downfall of the Hathaways – and the once prosperous farm.

Now the last inhabitant of the decaying old home has died – alone. None of the surviving members of the Hathaway family want anything to do with the farm, the land, or the memories.

Especially Meredith Pincetti. Now living in New York City, for seventeen years Lavinia’s youngest grandchild has tried to forget everything about her family and her past. But with the receipt of a pleading letter, Meredith is again thrust into conflict with the legacy that destroyed her family’s once-great name. Back at Aurelia, Meredith must confront the rise and fall of the Hathaway family… and her own part in their mottled history.

“Our farm was like the world when people still thought it was flat. And when you left it, it was as if you had simply sailed too far and fallen off the surface into the void.”

I tried to read this book but it just wasn’t for me. I adore the cover and I think the premise sounds lovely. Maybe I’ll give it another try in a few months.

There is also a scavenger hunt going on with this blog tour. Check it out!


Disclosure: Amazon.com Associate. If you click on my links and purchase anything a very small percentage of the purchase price will be awarded to The Cozy Reader.

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Please help me welcome horror author Derek Clendening!

The most frequent question I hear is Where do you get your ideas? Questions on how to get published are a close second, but one I hear sometimes is how I flesh out ideas and whether or not I outline. A quick answer to the latter: yes, I do outline. My outlines aren’t terribly complicated. I have a general idea of how long the novel/story in question should be and I draft the scene sequence one by one. I also have a general idea of how long each scene must be to hit my word count, but I never push it. A story should only be as long (or short) as necessary, and I see no point in harming the telling of the tale for those purposes.

But back to fleshing out ideas. A writer’s eureka moment can come at any time. Expected or not, there’s nothing quite like stumbling upon a killer idea, though it most likely will appear uninvited. When it happens, you want to have a pen and paper near to jot those ideas down before they sail past.

I’ve heard that Ernest Hemingway fleshed his ideas out while standing up and that Agatha Christie did it while soaking in the bathtub, eating apples. I don’t know if that’s true or not, but I wouldn’t be surprised. I used to try to take walks to flesh out ideas and I still do that occasionally, but it really doesn’t work for me. The only way to bring an idea to fruition is to keep the pen and paper handy.

That’s right. There’s nothing romantic or sexy about it. I need to move beyond just jotting down ideas. I have to basically write out a conversation with myself in which I answer at least a few basic questions about the story. Sometimes there are few and other times there are many. Also, sometimes ideas hit me like a tidal wave and other times fleshing the idea out is agonizing.

The practice lures the idea out of some dark corner of my mind into the light. What’s craziest about it is that, once I’ve written all of that stuff down, I usually don’t need to look at those notes again. I’ve already told myself all I need to know and I’m free to draft my scene sequence. That said, I couldn’t tell you what others writers do. That’s just what works for me.

What works for you?

To enter to win a Kindle Fire, leave your name and e-mail address in the comment form below. You can enter once per blog stop. Visit each blog stop to increase your odds of winning. If I crack the Kindle Top 100, I will give away another Kindle Fire. E-mail me for the tour newsletter including a full listing of tour stops at derek (dot) r (dot) clendening (at) gmail (dot) com.

Visit Derek on his blog!

Books by Derek

The Between Yearsby Derek Clendening(2011-07-25)

(Amazon.com)

The Breedingby Derek ClendeningMausoleum Press, (2011-10-26)

(Amazon.com)

Two Little Dead Girlsby Derek ClendeningMausoleum Press, (2011-09-07)

(Amazon.com)

The Vampire Wayby Derek Clendening167 pages, (2011-07-11)

(Amazon.com)

Clock Strikes Two and Other Storiesby Derek Clendening123 pages, Mausoleum Press, (2011-06-25)

(Amazon.com)


Disclosure: Amazon.com Associate. If you click on my links and purchase anything a very small percentage of the purchase price will be awarded to The Cozy Reader.

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Today I have the pleasure of having debut author, Anna Sheehan, of A Long, Long Sleep guest post. Her debut releases today! See below for information on how to win a copy!

Anna Sheehan

Says Jessica, The Cozy Reader blogger, “You’re not readily accessible on the internet ie blog, twitter, website. Why is that? From the technology in your book I thought for sure I’d find you on the web!

Oh no, I think. I’m going to have to try and explain this.

It’s probably best to show a little bit of what my life is actually like.

I’m going to send a letter. I go over to my desk, where there are a dozen goose and turkey feathers. I slice the end off of a right wing feather, carve it to a flattened point, and slice a slit up the middle. I then dip it into walnut ink from Italy, and address my envelope in copperplate script. (If I’m feeling lazy, I will use a metal nib in an oblique pen holder.)

We’re running out of milk. I do not hop into my car and drive to the store. Instead I go down the hill and collect my cow, whose name is Rosie. I take her up to the handmade stanchion, plunk myself on a crate, wash her teats, and milk her into a stainless steel bucket. I don’t use that new-fangled milking machine we have, because I’m faster and more efficient.

When someone asks me what my relationship is to technology, my first impulse is to say, “Are you kidding?” I only have a cell-phone because my family insisted, and it mostly stays forgotten in the bottom of my car. I write using WordPerfect, a computer program that has not been supported for nearly a decade (and boy does it drive my agent nuts!) I am an intelligent and educated person, but when it comes to technology, I tend to take the slow path.

We live already in a culture which makes the most outlandish science-fiction seem passé. We’ve already gone far beyond the technology needed for the constant surveillance and strict media control of Orwell’s 1984. But instead of Big Brother Watching Us, we cry our doings voluntarily into an empty sea of tweets and status updates. Instead of “altering” the facts to suit the propaganda, we focus on partisan minutiae and forget that the facts even exist. Even Star Trek, the futuristic focal point for two generations, seems almost quaint. Apart from aliens, warp travel and teleporters, I can think of very little technology in any given Star Trek episode that we don’t already have, in some form or another – communicators, unmanned drones, medical miracles.

Where does this leave the average science fiction writer? What else is there to invent that hasn’t already been invented, usually in the real world?

When it comes to science fiction, we have come to the point where the technology has to become secondary to the story one is trying to tell. In a world where we have glow-in-the-dark cats and I-Pads, the weird technology of the “future” can no longer be the focal point. 1984 is still relevant because the mental oppression and social stagnation of perpetual war is a story that still resonates. Star Trek, though dated, uses stories of aliens to tell stories of human interaction – and those are always timeless.

In writing A Long, Long Sleep, I used technology in two ways. The first was pure window-dressing, and I’m more than willing to admit that. Hover-cars, standard garbage incinerators and automatic retinal scans are nothing new. Despite the fact that most of these technologies are already out and about in the world, people still see them as “futuristic”. Having them as prevalent as I do is the only thing that makes the world of A Long, Long Sleep any different from our own.

However I did focus on one unconventional technology: stasis. Easy, reliable suspended animation is not a technology we currently possess. My intention was to explore all of the ramifications of a technology – the use and abuse of a technology – in order to tell a story of human interaction in the best and strongest way possible.

When it comes to our day-to-day interaction with technology, I often wonder if we’re moving too fast. In focusing on our instant text messaging and interactive sports games, many people have forgotten how to actually write, and no longer bother to go outside and play. It has been statistically proven that people read e-books slower than they read traditional bound and printed books. They buy more books, but actually read fewer of them, often failing to finish. Does this mean that we shouldn’t have e-books? No. There’s no reason to reject a benign technology – I’m no Luddite. But I do feel we need to keep in touch with traditional, well-established methods before those methods are lost forever. The printed page has been the repository of all knowledge since the invention of papyrus. Internet and e-books notwithstanding, I don’t think that’s going to change any time soon.

In 1984, Orwell writes of a concerted effort to curb thought by diminishing language; a double-plus ungood practice. Well, plz. Can no1 C the FX ths haz on R thought process? Intelligent teenagers who read often are still handing in school reports with words like, “munny” (instead of money) and no punctuation. I fear if we turn entirely from paper to the screen to hold our knowledge, we will lose a great deal of it. At the same time, I doubt this article will ever be seen on a printed page. Does that mean I shouldn’t write it?

How silly is that idea?

Technology can give us both the good and the bad. When it comes to science-fiction, it is the writers’ job to explore the implications of both. When it comes to life, in my opinion, the same should apply.

Anna Sheehan DOES in fact have a website – annasheehan.com – and you can find her on Amazon and Facebook, where she loves to interact with fans. Just don’t expect hourly updates on minutiae.

Thank you Anna!

I hope the use of today’s technology helps you sell more books because your book is worthy of any attention to get it into the hands of readers.

More from Anna

Author Interview by Book Reviews and More

An odd interview of sorts of Xavier over at The Mod Podge Bookshelf

Giveaway

Candlewick has graciously provided a finished copy of A Long, Long Sleep by Anna Sheehan to one of my readers. Plus, Anna will sign and mail you a bookplate!

Complete the Rafflecopter widget below.

Please read the Terms & Conditions at the bottom of the entry form before completing any entries!

NOTE: Since this widget relies on Cookies, you may have issues doing the daily Tweet. If so please just put TWEET in the mandatory entry field. Questions? Email me!

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Disclosure: Amazon.com Associate. If you click on my links and purchase anything a very small percentage of the purchase price will be awarded to The Cozy Reader.

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I’m pleased to be apart of Scott Nicholson’s Kindle blog tour!

Check out his other stops for more chances to enter for the Kindle giveaways.

scottlandsailorTwelve novels published. Five short-story collections. Two screenplays and counting. My first translated self-published e-book. My first novel collaboration. A young-adult series underway.
A busy year. A lot of words.
And plenty more to put out.
The 90-day blog tour has been a lot of fun but a lot of work—the equivalent of a novel in extra writing. So one of the first orders of business is to collect all the posts into a non-fiction book called “90 Days of Nightmares: A Writer’s Journey.” I’ll probably sell it for 99 cents for Kindle and Nook and offer it free at my web site.
I have enough short stories for three more collections and I will be releasing them with a couple of bonus guest stories and other extra material in each, and these will likely be 99-cent specials.
My thriller Liquid Fear, a novel dealing with bioethics, is about 25 percent done, and it’s more in the mold of Disintegration and The Skull Ring. It’s been calling out to me and will probably be the next project, depending upon what else happens with my other books. And PS Publishing is soon releasing the signed, limited-edition hardcover of my paranormal mystery Transparent Lovers.
I’ve started both the next book in the October Girls paranormal-romance AsIDielYing2series and the sequel to As I Die Lying, so they should be good counterbalance to the heavier Liquid Fear. And J.R. Rain and I will likely continue the Cursed! series if readers want more. Of course, I’ll be putting out the rest of my screenplays, and Ted at Dellaster Design is working on formatting comics for Kindle and Nook. And the children’s book If I Were Your Monster is being proofed and should be out in a week or so, and artist Lee Davis and I are already kicking around another book.
The point of all this isn’t to brag, though I do take pride in my work. The point is that you’re determining what I am writing next. Disintegration is my biggest e-book hit, and though I do want to write the third book in the Littlefield series and bring back the sheriff from The Red Church and Drummer Boy, I will let that wait a little while. Mysteries and thrillers fare better than supernatural novels for the most part, and if I have just as much fun writing all of it, why not write the stuff you like best?
On the promotional front, I’ll keep sending out review copies to bloggers, but we all need a break from Scott Nicholson. Check my web site for special combo deals on signed paperbacks, and also, beginning Dec. 1, I am giving a free e-book version with any signed paper book order, so you can have one for the shelf and one for the e-reader of your choice. And I’ll be back in the spring with one big promo blitz and giveaway with whatever book is ready for release.
So consider this an informal poll of what you would like to see next from me. While it may come down to whatever calls to me the loudest, your opinion is important to me, too.
After all, as I’ve said repeatedly, in this new publishing era, you are the boss.

*

Scott Nicholson is author of 12 novels, including the YA paranormal romance October Girls and the thrillers Disintegration, As I Die Lying, Speed Dating with the Dead, Drummer Boy, Forever Never Ends, The Skull Ring, Burial to Follow, and They Hunger. His revised novels for the U.K. Kindle are Creative Spirit, Troubled, and Solom. He’s also written four comic series, six screenplays, and more than 60 short stories. His story collections include Ashes, Curtains, The First, Murdermouth: Zombie Bits, and Flowers.

The Kindle Giveaway is part of Scott’s blog tour. Complete details at http://www.hauntedcomputer.com/blogtour.htm. To be eligible for the Kindle DX or Kindle 3, simply post a comment below with contact info. Feel free to debate and discuss the topic, but you will only be entered once per blog. He’s also giving away a Kindle 3 through the tour newsletter and a Pandora’s Box of free e-books to a follower of “hauntedcomputer” on Twitter. Thanks for playing!


Disclosure: Amazon.com Associate. If you click on my links and purchase anything a very small percentage of the purchase price will be awarded to The Cozy Reader.

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I have the honor of posting a guest post from author Cinda Williams Chima! Her newest book, The Exiled Queen, just released this week!

I was fortunate to received both of these books for review, however, I haven’t finished the first book yet! I just wasn’t in the mood for the epic fantasy but I’ll be getting back to it soon.

Demon King, The (A Seven Realms Novel) by Cinda Williams Chima

528 pages, Hyperion Book CH, (2010-08-31)

$9.99 (Amazon.com)

Exiled Queen, The (A Seven Realms Novel) by Cinda Williams Chima

592 pages, Hyperion Book CH, (2010-09-28)

$17.99 (Amazon.com)

The Art of the Crossover Novel

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Disclosure: Amazon.com Associate. If you click on my links and purchase anything a very small percentage of the purchase price will be awarded to The Cozy Reader.

 

The Healing Spell by Kimberley Griffiths Little

368 pages, Scholastic Press, (2010-07-01)

$17.99 (Amazon.com)

Hi everybody!

SONY DSC                       Jessica invited me to guest blog about book trailers. Which is a good thing because I love/adore/covet good book trailers!

When my agent sold THE HEALING SPELL (part of a three-book deal to Scholastic), I knew that I wanted to create the perfect book trailer for it.

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Disclosure: Amazon.com Associate. If you click on my links and purchase anything a very small percentage of the purchase price will be awarded to The Cozy Reader.

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I’m so pleased to present an author guest post by Kristie Cook, author of Promise which debuts this week!tourbutton

How YOU Can Help Your Favorite New Author

When you love a book, you’re overwhelmed with the need to tell all your friends about it. When you see someone inspecting it at the bookstore or library, you feel compelled to tell them how great it is. Who cares if they’re a stranger, right? After all, if they’re considering something you can’t get enough of, they can’t be too bad anyway.

We authors love this, especially the new ones, who don’t get the marketing budget from the publishers like the big-name authors do. We don’t get front-of-store placement, if we get any shelf-space at all. Our books don’t get picked up simply because our name is on the cover. There’s little advertising and publicity, unless we do it ourselves.

We all know that books become popular because readers love them. And readers are the ones who can spread the word best. So what can you do to help your favorite new author? Telling everyone you know – and even those you don’t – is a great start. But here are some other ideas that can make a huge difference and ensure that your new fave can continue writing more books for your enjoyment:

Write reviews on all the big sites – Amazon, Barnes & Noble, Borders, Goodreads, Shelfari, etc. This is one of the most important things you can do as a reader. The more activity and buzz a book gets, the higher the rankings and the more focus the sites put on those books. Also indie and small-press authors aren’t automatically given shelf space at the brick-and-mortar stores. But when the buyers see all the reviews on the sites (they do pay attention!), they take interest and start stocking the book. They read it themselves and make recommendations to their customers.

Ask your local bookstore and library to order the book. This helps to raise awareness by the decision-makers. Again, awareness leads to books on the shelves and makes it easier for the author’s next book to be on the shelves sooner. If you can afford it, buy a book to donate to the library or even to the owner of a local independent bookstore (they’ll read it and then buy new books for the store and personally recommend it).

Pre-order the book, if possible. If you’ve already heard from reviewers that a book is great or you’ve met the author online, pre-order it. Pre-sales indicate interest to booksellers, so they’ll stock more.

Spread the word on social media sites and blogs. If you have your own blog, write a review post. If you see it reviewed on another blog, share a comment with your own thoughts.

If you know any book reviewers – online or for local media – suggest that they read and review it. Or offer to write your own guest review for them. Newspapers, feeling the pain of the economy like any other company, are short-staffed. They want to include this kind of content, but can’t give up the resources for any of their staff writers to do it. If you’re willing to write just for the experience and credit, volunteer.

Host a book club. If you let the author know, they’ll likely provide incentives and may even be able to participate. If they’re not local, they can join in via Skype.

Attend readings and signings. If the author is coming to a store near you, try your best to attend. The bigger the crowd, the happier the bookseller is and the more likely they’ll stock the author’s books (current and future) and invite the author back.

Follow the author’s blog, if they have one. Stay up to date on the author’s next project and if you see an opportunity to help, let the author know.

There are so many ways readers can help. And I’m not just saying this to boost up my own sales and put money in my pocket. These all benefit any author, specifically debuts. And the new ones, especially, aren’t making a ton of money. The average writer can barely make a living writing full time, which means they’re writing on nights and weekends…which means their next books are even further in the future. And if they’re not making enough sales, their publishers may drop them. Which means no future books at all.

Writing novels is a tough, terribly under-paid job (at least until you make it to the status of Rowling, Meyer, King or Patterson). We do it because we love it. We love our characters and our stories and want to share them with the world. We hope you love them just as much as we do. So when you do, you now know how you can help ensure there’s a next book…and a next one…

Thanks so much Kristie!

She is so right too. So if you’ve had any interest in her book Promise, head out right now and order it! :)

I’ve read a good portion of it already, but I haven’t finished it yet, I will soon, but it’s pretty good. I can’t wait to see how it progresses from where I left off. Look for my review within the next few weeks. (I just got an eARC of ALPHA by Rachel Vincent so, um, yeah. I’ll be back after I’ve consumed that book! OMG!)

Promise by Kristie Cook366 pages

Ang’dora Productions, LLC, (2010-05-26)

$15.99 (Amazon.com)

When Alexis Ames is attacked by creatures that can’t be real, she decides it’s time she learns who she really is, with or without the help of her mother, who guards their family’s secrets closely. After meeting the inhumanly attractive, multi-talented Tristan Knight, however, Alexis retreats behind her façade of normalcy…until she discovers he’s not exactly normal either. Then their secrets begin to unravel. Their union brings hope and promise to her family’s secret society, the Angels’ army, and to the future of mankind. But it also incites a dangerous pursuit by the enemy – Satan’s minions and Tristan’s creators. After all, Alexis and Tristan are a match made in Heaven and in Hell. — Amazon


Disclosure: Amazon.com Associate. If you click on my links and purchase anything a very small percentage of the purchase price will be awarded to The Cozy Reader.

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I have the honor of presenting an amazing author guest post from Kelly Link, who’s short story collection, Pretty Monsters, officially releases in paperback on June 10.

Pretty Monsters: Stories by Kelly Link

A big thank you for the lovely post from Kelly!

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I wrote the stories collected in Pretty Monsters over the course of fifteen years, beginning in 1995. Pretty Monsters came out from Viking in October of 2008. Since then, I’ve had a daughter, spent 15 months in
hospitals, given up reading Patrick O’Brian, filled a deep-freezer with breast milk. What I haven’t done is write a single word of fiction. Which is why, I suppose, for at least part of this blog tour I’ll be writing about my daughter, Ursula. (At points I’ll get around writing about the stories in Pretty Monsters, too.) This is the first of a two-part post. The second part will appear on Foreveryalit.com.

Ursula was born on February 23, 2009, at twenty-four weeks, after a complicated pregnancy. I had checked out What To Expect When You’re Expecting from our library early on, but I hadn’t even gotten to the section on labor when I went into labor. We had barely begun to think about names. I liked Fern, because of Charlotte’s Web. My husband and I both liked Gulliver, if it turned out I was having a boy. (The ultrasounds were cloudy. Ask again later.) We both liked Ursula, because it meant little bear, and because we both loved the books of Ursula K. Le Guin.

The first time that we went up to see her in the Neonatal ICU, Ursula was nestled in artificial lambs’ wool inside an incubator, cotton pads over her eyes, under a bank of blue lights. She was attached to various monitors that measured her heart rate, her oxygen saturation, her rate of breathing. She was incubated so that a ventilator could keep her alive. Alarms went off constantly, and nurses would say, “It’s all right” and then adjust things. We had no idea if things were all right or not. We were in a state of terror.

Ursula weighed 1 lb. 9 ounces, and looked like — as the nurses in the NICU liked to say, affectionately — a chicken bone (click for picture, be prepared to see a preemie). She had no body fat; instead she had a fine coating of hair on her shoulders. Her ears were practically vestigial. The nurses pointed out her long fingers and toes, how graceful they were. Her skin was so fragile that in places, it tore. The treatment for this was to cover it with what looked like Scotch tape. That day, or the next, my husband, encouraged by the nurses, slipped his wedding band on to her wrist, and we took a picture.

I could hardly stand being in the NICU at first. We knew that Ursula’s situation was precarious. Almost half of babies born at 24 weeks don’t survive. (Before my pregnancy became high risk, I didn’t know that any babies could be born so early, so small, and go on to thrive.) A majority of those babies that do survive end up with serious complications of one kind or another due to the therapies that keep them alive as well as due, simply, to their extreme prematurity. The gregarious nurse assigned to Ursula that first day told us immediately, well, it’s good that she’s a girl. Girls have a better chance of survival. The next day when we went up, he said, well, she’s still alive. The first twenty-four hours are really crucial. The next day he said, she’s still alive — that’s good. The first 48 hours are crucial. After a week had passed, when a nurse told us that the first week was the period of greatest danger — and so it was a good sign that she had made it through — we weren’t surprised.

For the first six weeks of her life, Ursula wore only knitted hats — donated in bulk by a local church group to the NICU — and the tiniest diapers you can imagine. We got to help change those diapers. I pumped to make breast milk, of which Ursula could take only a few ccs at a time. The rest we froze. We could, at times, put our hands into the incubator, to cup Ursula’s head and feet, but we had to be careful not to over stimulate or stress her. We read two baby books to her, over and over again: Each Peach Pear Plum by Janet and Allen Ahlberg, and Charlie Parker Played Be Bop by Christopher Raschka.

While I was on bed rest, I had been plowing through Patrick O’Brian’s Aubrey/Maturin series. They were terrific, but I had to give up reading them because it seemed to me that whenever I got near to the end of a book, something terrible would happen: I began to have contractions; I went into labor; Ursula would have a crisis. We were staying a block away from the hospital, in a Ronald McDonald House, and we dreaded phone calls, particularly at night, when we went home, knowing it was likely to be the hospital, letting us know that Ursula was in crisis again. The problem was her lungs: she wasn’t growing fast enough to grow new lung tissue. She couldn’t get off the ventilator. I’ve read all of the first two O’Brian books, and all but the endings of the next three — I would put them down when Ursula went through rough patches, and be unable, superstitiously, to go any farther. I’d start a new one. Eventually I stopped starting new ones. Someday I’d like to pick them up again.

During the day we sat in the NICU, and read or worked beside Ursula’s incubator. We watched the numbers on her monitors. We went and ate at the cafeteria. Nurses taught us how to change diapers (lay down the new diaper under the old one, before you take it off) and how to watch Ursula — for tremors, for distressed breathing, for signs of when she needed her incubator to be dark and quiet. I pumped every three to four hours. Twice I came back from pumping to find a crowd of doctors and nurses, and a code cart, around Ursula’s incubator. Both times she stabilized. I’ve always cried easily. I cried all the time. We watched new mothers come into the NICU. You could tell who were the new mothers by the way that they walked, or moved. We became connoisseurs of babies (their different kinds of cries; their weights — 3 lbs? Enormous. 7 or 8 lbs? A monster) and their different medical crises (a baby born with its organs on the outside? Not a big deal. Babies who momentarily forgot to breathe when they were asleep? They would grow out of it.)

At least once a week, when I needed a break, I would leave the hospital and drive back to Northampton. I’d buy frozen burritos for our dinners, chocolates for the nurses at Trader Joes. Then I’d go to a local thrift store to buy baby clothes that Ursula would be too small to wear still, for months and months. I pictured future versions of her, healthy, older, dressed in these clothes. There are a lot of firsts for parents that we’ve missed out on. We weren’t there when Ursula first opened her eyes. We didn’t change her first diaper. For about two weeks I wanted, badly, to be there when she pooped. I never was. The first time that she took a bottle, we had gone home to Northampton (a half hour drive) to sleep in our own bed. We missed her first bath. The first time someone dressed her. The first time she left the hospital — to ride in an ambulance to Boston — we followed behind in our car. I didn’t mind missing these things too much. I was always just so grateful that she was alive. (Nurses said: “She’s feisty! That’s good.”) The first time Ursula wore clothes was the day she was taken to Boston for a heart operation. (Not a big idea, we were told. Not much of a procedure. Nothing to worry about.) There was something of the formal occasion
about it, seeing her kitted out in a onesie meant for the smallest of premature babies that was, nevertheless, still ridiculously enormous on her. Ursula2We were given a change of clothes to take along with us. At this point, we had still never even held her, although the night before, her nurse had let us put our hands inside the incubator. She then gently lifted Ursula and laid her across our hands. We could feel her relax against our palms. On the monitor, her numbers — her heart rate, usually around 170 beats per minute, go down; her oxygen saturation, often stuck in the high 80s, go ever so slightly up. We held her for a few minutes, and then her nurse told us it was time to put her back down again. I am not, by nature, an optimist. But I clung to the idea that things would be better one day.

To sum up: I’m a short-story writer. In fall of 2008, my third collection, Pretty Monsters, came out in hardcover, and I got pregnant. I gave birth to a daughter, Ursula, in February 2009 at 24 weeks and 1 lb, 9 oz. She spent the next fifteen months in hospitals.

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Wow, what a story! I of course don’t know what happens next but I’m seriously hoping for a good outcome. I can say since I too am a mother that experiencing something such as the early birth of your child is not a fun experience. I too delivered early (only 4 weeks) but it’s never an easy thing to get through.

Don’t forget to head to Foreveryalit.com to continue reading more about Kelly Link!

I haven’t finished reading Kelly’s short stories yet but I hope to soon. Just know that they are quite amazing so far! :)


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